When an individual thinks of therapy, or a therapist, one generally pictures a psychiatrist or psychologist and a couch. Movement based treatment or dance therapy is a different and unique form. It is a form in which different styles of dance are used to enhance bodily emotional, intellectual and motor skills. Whether dancing at a free form community dance, or acquiring therapy, doing so often has the ability to heal body, mind and soul.
These therapists use a form of expression which draws a correlation between preparation, illumination, evaluation and incubation. Each of these aspects represent one of four stages of treatment. To prepare a client for this type treatment, therapists generally create a treatment plan, evaluate the mover then provide illumination when discovering the right treatment and incubation period for putting the plan into action.
These therapies are often provided in a clinical or medical setting. While community dances such as the many ongoing non-alcohol, smoke-free, barefoot dance jams that occur on an regular basis are often hosted in churches, community centers or schools. In either case, dance is one activity which has the ability to effect the overall health and well being of the dancer. In some cases related to physical injuries, individuals may be sent to a physical therapist who can also integrate movement based therapies into an overall treatment plan.
Originally developed thousands of years ago, dance and movement therapies have had a major impact on issues related to birth, death, happiness, sickness and health. In 1930, a new philosophy was born which helped establish these therapies in the United States, Europe and around the world. Then, once it became clear the effects had been proven, several colleges and universities began offering a focus on this area of psychotherapy.
Up until the time it was discovered that dance had an effect on the mover, movement was seen primarily as an expressive art. Dance and movement were then established as therapies in the 1950s. After which, a number of professional psychotherapists decided to begin work in the field.
Throughout history, dance can be divided into two waves. The first wave involved the use of dance in the medical community beginning in 1942. After which, a choreographer, dancer and therapist began to notice the effects dance had on her students. As a result, the field of dance and movement based therapy was created.
Once students began reporting that movement aided in overall happiness, health and well being, several doctors began sending clients to these new therapists. A local therapist then began offering a program at a hospital in Washington, D. C. It was at this location that several trials related to this therapeutic form took place. During these trials, it became clear that healing could take place as a result of these type therapies.
The next or second wave brought a new ideology to dance therapy in the 1970s and 1980s. The new ideology sparked a great deal of attention from therapists at the time. A time when therapists began to explore and experiment with different applications associated with dance and movement. It was these applications that evolved into forms and modalities which therapists still use after having seen great success.
These therapists use a form of expression which draws a correlation between preparation, illumination, evaluation and incubation. Each of these aspects represent one of four stages of treatment. To prepare a client for this type treatment, therapists generally create a treatment plan, evaluate the mover then provide illumination when discovering the right treatment and incubation period for putting the plan into action.
These therapies are often provided in a clinical or medical setting. While community dances such as the many ongoing non-alcohol, smoke-free, barefoot dance jams that occur on an regular basis are often hosted in churches, community centers or schools. In either case, dance is one activity which has the ability to effect the overall health and well being of the dancer. In some cases related to physical injuries, individuals may be sent to a physical therapist who can also integrate movement based therapies into an overall treatment plan.
Originally developed thousands of years ago, dance and movement therapies have had a major impact on issues related to birth, death, happiness, sickness and health. In 1930, a new philosophy was born which helped establish these therapies in the United States, Europe and around the world. Then, once it became clear the effects had been proven, several colleges and universities began offering a focus on this area of psychotherapy.
Up until the time it was discovered that dance had an effect on the mover, movement was seen primarily as an expressive art. Dance and movement were then established as therapies in the 1950s. After which, a number of professional psychotherapists decided to begin work in the field.
Throughout history, dance can be divided into two waves. The first wave involved the use of dance in the medical community beginning in 1942. After which, a choreographer, dancer and therapist began to notice the effects dance had on her students. As a result, the field of dance and movement based therapy was created.
Once students began reporting that movement aided in overall happiness, health and well being, several doctors began sending clients to these new therapists. A local therapist then began offering a program at a hospital in Washington, D. C. It was at this location that several trials related to this therapeutic form took place. During these trials, it became clear that healing could take place as a result of these type therapies.
The next or second wave brought a new ideology to dance therapy in the 1970s and 1980s. The new ideology sparked a great deal of attention from therapists at the time. A time when therapists began to explore and experiment with different applications associated with dance and movement. It was these applications that evolved into forms and modalities which therapists still use after having seen great success.
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